Sometimes I take a break from designs and work with undefined, arbitrary forms. Working loosely in a deconstructed approach is a refreshing pause without agenda.
I work in bronze metal clay. It’s an awe-inspiring process that begins as a lump of boring-looking clay. And after sculpting, kiln-firing and metalsmithing, it emerges as a stunning precious metal adornment.
“Erosion” is an asymmetrical earthy form in white bronze and buttery-soft leather that frames a crystal-clear oval-cut gemstone. This highest-quality lab-produced gemstone remains stable when kiln-fired at 1700°F, and will not cloud or scratch easily, rating 8.5 on the Moh’s Hardness Scale. Stone is a brilliant oval classic-cut, white.
Sometimes I take a break from designs and work with undefined, arbitrary forms. Working loosely in a deconstructed approach is a refreshing pause without agenda.
I work in bronze metal clay. It’s an awe-inspiring process that begins as a lump of boring-looking clay. And after sculpting, kiln-firing and metalsmithing, it emerges as a stunning precious metal adornment.
“Erosion” is an asymmetrical earthy form in white bronze and buttery-soft leather that frames a crystal-clear oval-cut gemstone. This highest-quality lab-produced gemstone remains stable when kiln-fired at 1700°F, and will not cloud or scratch easily, rating 8.5 on the Moh’s Hardness Scale. Stone is a brilliant oval classic-cut, white.
